Broadway singing is often characterized as being super nasal compared to pop music due to a variety of factors. One possible explanation is the unique vocal technique employed by Broadway performers, which is known as “belting.” Belting involves using a combination of the chest and head voice to produce a powerful, resonant sound that can be heard over the orchestra and other actors on stage. This technique is often achieved by raising the larynx and narrowing the throat, which can create a more nasal tone.
Another reason for the nasal quality of Broadway singing is the need for actors to project their voices to the back of the theater. Unlike pop music, which is typically performed in smaller venues with amplified sound, Broadway performers need to be able to fill large theaters with their voices. This requires a different vocal approach that emphasizes projection and clarity, which can sometimes result in a nasal sound.
Finally, the style of music itself may contribute to the nasal quality of Broadway singing. Many Broadway musicals are written in a style that emphasizes clear, enunciated lyrics and a strong vocal presence. This can lead to a more precise and controlled style of singing that may sound more nasal than pop music, which often relies more on the emotion and melody of the music.
It should be noted that while some people may find Broadway singing to be overly nasal, others appreciate the unique qualities that it brings to the music. Ultimately, the style of singing used in Broadway musicals is a product of the specific demands and traditions of the genre, and it continues to be an important part of the musical theater tradition.
Source:
- “Belting” Vocal Technique, Theater Dictionary (https://www.theatredictionary.org/belting-vocal-technique/)
