Who are some jazz pianists that make creative use of their left hand?

8690 who are some jazz pianists that make creative use of their left hand

Jazz pianists are known for their virtuosic and creative use of their hands. In particular, the left hand is often used to play intricate and complex bass lines that drive the rhythm and pulse of the music. Here are some jazz pianists who are known for their creative use of the left hand:

  1. Bill Evans: Bill Evans was a highly influential jazz pianist who is known for his innovative and introspective playing style. He was particularly known for his use of the left hand, which he used to play rich, harmonically advanced bass lines that supported his melodic ideas.

  2. Oscar Peterson: Oscar Peterson was a virtuosic jazz pianist who was known for his incredible technique and musicality. He was particularly known for his use of the left hand, which he used to play fast and complex bass lines that underpinned his virtuosic soloing.

  3. Ahmad Jamal: Ahmad Jamal is a highly creative jazz pianist who is known for his innovative and lyrical playing style. He is particularly known for his use of the left hand, which he uses to create rich and complex textures that support his melodic ideas.

  4. Herbie Hancock: Herbie Hancock is a highly influential jazz pianist who is known for his innovative and eclectic playing style. He is particularly known for his use of the left hand, which he uses to create deep and complex grooves that drive his music.

  5. Chick Corea: Chick Corea is a highly creative jazz pianist who is known for his virtuosic and innovative playing style. He is particularly known for his use of the left hand, which he uses to create rich and complex harmonies that support his melodic ideas.

In conclusion, jazz pianists who make creative use of their left hand include Bill Evans, Oscar Peterson, Ahmad Jamal, Herbie Hancock, and Chick Corea. These pianists are known for their innovative and virtuosic playing styles, and their use of the left hand to create complex and intricate textures that support their musical ideas.

Source: “The Oxford Companion to Jazz” by Bill Kirchner.