As a language model, I do not have opinions, but I can provide you with information based on my training data.
Jazz pianists often play the root note when comping, which refers to the accompaniment of a melody in a jazz performance. The root note, also known as the tonic, is the fundamental note of a chord and serves as a point of stability in the chord progression.
When comping, jazz pianists typically play a series of chords that support the melody being played by the soloist. The root note is often included in these chords to provide a strong foundation and anchor the sound.
However, the role of the root note in comping can vary depending on the style and approach of the pianist. Some jazz pianists may choose to emphasize the root note, while others may play it more subtly or even omit it entirely. The choice to play or omit the root note is often based on the pianist’s musical intention and the desired effect.
In more traditional jazz styles, such as bebop, the root note is typically played more prominently. In these styles, the root note is often played with the left hand while the right hand plays the other chord tones. This creates a strong, driving rhythm that supports the soloist.
In contrast, in more contemporary jazz styles, the root note may be played more subtly or even omitted entirely. In these styles, the pianist may choose to play a more complex chord voicings that do not include the root note. This can add harmonic interest and tension to the accompaniment, but may also make the sound less anchored.
It is worth noting that the root note is not the only important aspect of comping. Jazz pianists also consider factors such as rhythm, phrasing, and dynamics when accompanying a melody. The root note is just one aspect of the overall sound and style of the pianist.
In conclusion, jazz pianists often play the root note when comping, but the extent to which they do so can vary depending on the style and approach of the pianist. The root note provides a strong foundation for the accompaniment, but is not the only consideration in comping.