Recording MIDI drum tracks in modern punk music is a matter of interpretation and personal preference. While some musicians may believe that the use of electronic instruments and technology goes against the raw and organic nature of punk, others may view it as a means of incorporating new sounds and expanding the genre’s musical palette.
In the early days of punk, musicians often utilized simple and minimal instrumentation to convey their messages and energy. However, as the genre has evolved, so has the definition of what is considered acceptable in punk music. The incorporation of technology and electronic instruments has become increasingly common in various sub-genres of punk, such as electro-punk and digital hardcore.
Furthermore, many modern punk musicians use MIDI drum tracks as a tool to enhance their live performances and add more complexity to their recordings. The use of MIDI drum tracks allows for greater control over the drum sounds and patterns, which can lead to more intricate and dynamic compositions. Additionally, MIDI drum tracks can also be easily edited and manipulated to change the overall sound of a recording, offering more creative possibilities for the musician.
According to an article in Sound on Sound, the use of MIDI drum tracks in punk music has become more accepted in recent years due to the increasing availability of affordable and user-friendly recording technology. The article cites several prominent punk musicians who have embraced technology in their music, including Dave Grohl of the Foo Fighters and the late Joey Ramone of the Ramones.
In conclusion, whether recording MIDI drum tracks is acceptable in modern punk music depends on individual musicians and their personal artistic vision. While some may view the use of technology as a departure from the traditional punk ethos, others may see it as a means of pushing the boundaries and evolving the genre. Ultimately, the acceptance of MIDI drum tracks in punk music is a subject that continues to be debated and shaped by the artistic choices of individual musicians.